![]() His unabashed approach to incest is a scenario most of us would never dare to imagine. Aster's artistic recklessness as he takes on the very grotesque and uncomfortable subject of incest. There is also a strange sense of victory in Mr. The film artfully blends the feeling and pace of Tom Ford's A Single Man, the tabooed romanticism of the Italian gem, I Am Love, and the melodrama of the film lover's classic, Whatever Happened to Baby Jane. There is even something actually quite romantic about the dark cinematography deployed by the filmmaker and his crew. To some it's a classic Monet - beautiful from a far, but as you get closer and closer the ugly truth is slowly revealed. Aster meticulously unravels this twisted story of family hierarchy, social perception and dirty little secrets into a cinematic masterpiece. This very young director, straight out of film school, somehow magically possesses the unique and uncanny ability to transform viewers into voyeurs, voyeurs into messengers, and messengers into loyal disciples. ![]() The first time I watched The Johnsons, I could not believe what I was witnessing. But disgusted in a good way, if you know what I mean. In exactly 29 minutes and 06 seconds independent filmmaker, Ari Aster and a cast of relatively unknown actors managed to leave all that took the challenge riveted, enlightened, disturbed and by most accounts, downright disgusted.
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